However, individuals were being a hybrid species and will not procreate. For the reason that need for individuals as staff became greater, The traditional Anunnaki once again manipulated historic mankind so they might reproduce on their own.
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When examining the stone sculptures and reliefs that fuel this concept, context is vital. Historical civilizations generally used animals, which includes snakes, to symbolise divine qualities. The snake's ability to lose its skin designed it a image of rebirth and immortality, qualities normally ascribed to deities.
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The staff thinks for the proven fact that the 1st A part of our DNA code was not written on the planet and In keeping with them it's verifiable. Secondly and most of all, genes by itself usually are not more than enough to explain the evolution/abrupt evolution method and there need to be something much more in ‘the game’.
cylinder seal depicting IshtarCylinder seal depicting Ishtar on the System inside of a canopied enclosure fake medicine with two winged genies and also a kneeling worshipping figure.
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Supporting the genetic claims are the many historical sculptures and reliefs that depict the Anunnaki together with serpentine imagery. These artifacts, some argue, are certainly not mere creative expressions but rather symbolic representations of Anunnaki's genetic manipulation of early human beings.
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Zecharia Sitchin released a dozen books called Chronicles with the Earth from the 1970s which even further dwelled in the research of the ancient Anunnaki.